They take a lot, A LOT, of time to get broken in but once they do:
 

"Allnic cable-

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A bit of background - I have a 20-year journey with high end interconnects (although not the uber-expensive Siltech, Crystal Connect etc.!). In the past 5 years or so I graduated from Acrolink 6300 to LessLoss C-Mark to Ansuz D-TC (2nd hand!) to Sablon to Tara Labs Muse to LessLoss Entropic ... in my view, increasing musicality and transparency on that journey. I value tonal density, micro-dynamics and delicacy, 'flow' and coherence, PRAT - more than big-boned dynamics or Staging (although I have found that these improve as the tone etc improve). I am certainly not enamoured with clinical 'transparency' where both the tonal variety and musical message gets lost beneath detail.

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So onto the new Allnic silvers ... initially these were at a similar level to the LessLoss Entropic, a bit bright and slightly hard. However, after around 150-200 hours these blossomed to another level - the best I have heard. They bring a lower subjective noise floor, incredible musical flow and timing, lovely tone (better even than the LessLoss - more liquidity and 'shine') and - yes - a huge soundstage. Not only a great cable, but a great value."

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-Damien, South Africa.

Mu8 Notes:

(Beautiful cables both aesthetically and sonically)
-Classical, Chamber, All music is more coherent, tonally accurate, and sounds like it was recorded. 
It would be very hard, damn near impossible, for Mr. Park to top these cables. I would go so far as to say it will take him a decade(s).

Frank – Tennessee


There is more of everything without sacrificing anything.

SC


John,

I have taken more time with the cables than I had anticipated.

Very pleased with the silky highs and excellent transparency…

I first gave the XLR a stringent test with the Van Den Hul Grail SB and the transfiguration Protius D cart playing a DG copy of Siegfried (Karajan).

Passed with flying colors… voices pleasant to listen to with the hall acoustic and spatiality fully present… excellent

The RCA on another SS phono lacked a bit in the bass... after a day or two moved it to the Tom Evans Master SR with the GFS and here it showed its stuff. Excellent in all respects, especially tonality.

JDL – Belgium

While some aspects of the cable are proprietary and have not been disclosed, we do know that unlike the MU-7R cables, which are all copper, the MU-8RS cables utilize both copper and silver conductors, and both types are solid; there is no plating or coating involved.

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In addition, we are told that Allnic’s unique EMI/RFI blocking MU-metal shielding on the MU-8RS has been doubled relative to that in the MU-7R. These differences slightly increase the diameter of the MU-8RS relative to the MU-7R cables, but flexibility is essentially the same. Both versions bend well, though can’t be considered “cooked spaghetti”: you do need a few inches behind your gear.
 

Few manufacturers demonstrate this level of sophistication in design and adept implementation using quality materials. 
 

These cables are also beautiful, in my view, from a purely aesthetic perspective and are clearly robust and solid in construction. My listening impressions of the ZL-8000S speaker cables relative to the ZL-5000 all-copper version can be applied equally to the MU-8RS interconnects. About the silver speaker cables, I said:

 
My immediate impression of the ZL-8000s is clarity. As with a newly prescribed pair of glasses, I notice detail that has not been previously realized. There exists a prominent high-frequency airy extension and, over time, an improved inner layering, overall depth, and separation in the soundstage giving a more distinct positioning of musical instruments--the sum of which is improved overall holography. Initially, strengths of the ZL-5000 were noted and missed; however, during this extensive breaking in process, these differences became muted, and the ZL-8000s excelled, particularly in dynamics across the frequency spectrum regardless of volume. This is a noted distinction. The dynamics of the ZL-5000 soften at low volume. But so did any cable I auditioned or owned before today. The quality of expansive richness and warmth, or bloom, is where the ZL-5000 shines, and for me historically never existed in any silver cable. This, among a few other reasons, is why I favored copper cables throughout my system. Such bloom, to me, evokes emotion. The ZL-8000s present a better overall focus, and realism while maintaining an emotional connection with the music. Again, it circles back to clarity.